| "The Yellow Christ" |
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About
the painting
I have called this painting "The Yellow Christ" because
it is simple and descriptive. It could also be called: "Cross
and Resurrection", for that is what it is about. The treatment
is oil on canvas with palette knife and the original that hangs in
Heyford at Morley Retreat and Conference House, measures 4ft X2ft.
It is semi-abstract and "expressionist" in approach, deliberately
trying to keep detail to a minimum and let the sweeps of pigment
speak for themselves. The upraised arms suggest Jesus hanging from
the cross, but any suggestion of a cross has been left out to emphasise
that he is no longer hanging, but is risen. This also therefore expresses
arms raised in praise, adoration and worship. The predominant colour
is yellow which as a primary colour has great impact and is very
positive. Worked into this are streaks of red suggesting both blood
and pain as Jesus gave his life for you and me.
There is also a suggestion in red of a crown of thorns on a bowed
head. The background is a dark mixture of blue with occasional lighter
streaks. This hints at the darkness that almost overwhelmed Jesus
and which is a constant reality in the Christian life today.
The lighter touches remind us how Jesus brings life and life more
abundantly. This mood is picked up by the lighter streaks penetrating
both the darkness and the body of Jesus. They can be interpreted
in two ways. First they can be seen as elements of darkness attempting
to pierce and destroy Jesus and Christian faith generally. Secondly
we can view them as light shining out from the crucified, resurrected
body of Jesus, bringing light and life to the darkness.
It is a reminder that there are no short-cuts in the Christian life.
For anybody wanting to experience the glorious primary colours of
life and ministry in the power of the Holy Spirit, this is only possible
through embracing the way of Jesus. This involves letting go of all
selfish aim and ambition, and surrendering to Jesus on the cross.
Then and only then can the paradox at the heart of Christendom begin
to happen: that in dying we actually become more alive than we can
possibly imagine.
William Mather
June 2002
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